- #IMPULSE RC DRIVER FIXER MAC UPDATE#
- #IMPULSE RC DRIVER FIXER MAC SKIN#
- #IMPULSE RC DRIVER FIXER MAC PRO#
You could do this process before with the Pixel Chooser, but it would be a long, drawn out process of keyframing and masking that probably would have you throwing your hands up in the air shouting “I’LL JUST DO IT IN AFTER EFFECTS”. Let’s say you have a shot of 15 lit candles, and the shot is moving all over the place, and you want to add a film glow to just one of those candles. Now most people think, “What the heck does that mean for me? Well, let me give you an example. The fruit from the tree of this acquisition has finally come to be, and that is that Mocha has now been integrated into the Pixel Chooser (PC), in BCC 10.
#IMPULSE RC DRIVER FIXER MAC PRO#
Unless you have been living under a rock, the huge news at the end of 2014/start of 2015 was Boris FX’s acquisition of Imagineer Systems, makers of the Academy Award winning Mocha Pro (and Mocha product line in general).
#IMPULSE RC DRIVER FIXER MAC SKIN#
But what happens when you run into a situation where your talent’s skin and hair color tones almost match? Well, that’s where Mocha comes into play. Now, in a situation like where you have a light skinned actor/actress, with darker hair, you can simply leave the Pixel Chooser set to it’s default setting of Luma, and only those areas with the highest luminance values will be adjusted. Well the Pixel Chooser (PC), at its core, is a matte creation tool (again, a tool) that you can have analyze the any of the different channels of your video (Luma, Red, Green, Blue, Alpha and even Key) to then create a matte, and only the defined areas in the matte will be effected in your final composite. Exactly how does the Pixel Chooser assist in this process. With the power of the Pixel Chooser, you can isolate specific areas of your talents face to get in and smooth the pores on your talents. That’s where Beauty Studio comes into play. Now is the right time for this effect to be introduced into BCC with the move from HD to 2K/4K/UHD, lighting and make-up is even more important than it’s ever been, and sometimes what has been shot on set is just not good enough to get into your edit without some fix to the talent’s makeup, or you have the absolute opposite issue of shooting in UHD/4K, and the quality is too good that you want to soften things up a little. Again, almost half the new features are tools, and not “effects”. BCC 9 included the FX Browser, Chromakey Studio, Magic Sharp, Lens Correction and some more enhancements to Pan & Zoom (another “tool” at your disposal”.
Almost half of the new effects were “tools” as opposed to “effects”. BCC 8 introduced Beat Reactor, Video Scope and Flicker Fixer to name a few. BCC 8 started to introduce some essential tools for editors, that really helped address workflow areas that were very time consuming to do, without the help of third party effects.
At this point BCC was an effects package that had some plug-ins designed to fix very specific problems (Chromakey/Smooth Tone/DV FIxer/Motion Key), and also had a ton of effects (glints, glows, etc). I think this release was the fork in the road to either go left, and stick to the “status quo” for large effects bundles, or go right, and really redefine what a plug-in package should be. Everything the editor needed could all be done with one package. Now, it was no longer necessary to export your clips to After Effects, to use on of the many 3D plug-ins available to compositors. Outside of Marquee, this is really the first time Media Composer editors had access to true 3D elements in their Media Composer timelines. BCC 6 was a huge release for Boris FX, as it brought a huge component/selling feature to the package, and that is the 3D Objects category which included Extruded EPS, Extruded Spline, Layer Deformer, Type On Text, and most importantly, Extruded Text.
#IMPULSE RC DRIVER FIXER MAC UPDATE#
I did a lot of research for this article about the update history of BCC to pinpoint where I thing this shift in thinking started to happen and it looks to me like it happened around BCC7. You received this message because you are subscribed to the Google. Flicker that is caused by unintended shutter speed or aperture variations from. Frame Analysis is for clips with flicker that is uniform throughout the frame - e.g. It provides three different methods for removing flicker: Frame Analysis and two Temporal Smoothing methods. Flicker Fixer is designed to eliminate flicker from source footage. I found only one fix that is practical, it is using Boris FX BCC Flicker Fixer found in the Boris Continuum Complete package.